Good and bad literature

Our attitude towards the time of Galician letters that we will live through is a personal attitude, even non-transferable. We do not attempt to write in an effort to inform with absolute impartiality about authors, works or tendencies. Because, furthermore, we would be forced to yearn with scientific rigor for the literary feitos of the time.

First of all, we begin with disbelief in the so-called science of literature. We don’t trust our scientific tails about the basics of literature. The only truth in everything in the field of literature is that good literature is better than bad. And, as an inevitable consequence, those feathered mooshis who produce catwalks of literary creativity, suffer lay aberration.

This truth of everything in everything is perceived or common sense, a non-scientific instrument, xa que logo. But no minority is infallible and no majority is dull. Regardless of what can be concluded from this, do not buy xénese study microscopes to the point of terrible morbidity. We know that you and those people were not allowed to write a single line.

Rejecting that important axiom of the eminent Perogrullo, we base ourselves on the essential: What am I in literature? For a moment fuxideiro we assume that for some it is ébo or that for others it seems so. Ben, but what do you think of these escolmables in this infindo repository of literary products? Maybe you could do one of these Best Poem or Best Novel Cent lists? That is surely something that is not possible.

For her, literature would have to be a science or a man who loved it so little or was spiritual that he wanted to classify it in small cages. The effort for por in all these cryptic denominations is like a collection of grillos.

However, there is an important but reduced group of creative authors in Galicia. There are certainly interesting poets and storytellers. However, the critical spirit and erudition that dominates the medium is missing. It was a time that filled the sublimity of two writers who nurtured, even if averagely, the native language. But the current panorama cannot and must not respect the same criteria.

Forén we need to read the works of poets or storytellers about the poetry and storytelling of two others. Logo os outros ocupanse dos uns. Essays are written about creations that have not yet been clarified. Soar to new heights in extremes, sign up. From time to time they write a poem or a story. Combining several of these poems or stories creates a book that other poets and storytellers talk about at length.

But is communication with the public? Isn’t the influence public, and not our companions that great writers have always exerted? Won’t our literature be blamed in the winter magazine of carefully cataloged beautiful words? Metaphors floating in the air, feelings for literature and the rest, hearts with the latexes of others, should form a kind of poetic academy that also enters into narrative creation.