Pedro Pascal (“Wonder Woman 1984”) is not only one of the entertainment industry’s biggest stars right now, but probably THE most likeable. It is therefore not surprising that people can’t get enough of the Chilean actor. With “The Mandalorian” and “The Last Of Us”, Pedro Pascal currently leads two of the most popular series ever. The Joel of Din Djarin actor has now explained in a recent interview that this can be exhausting.
Pedro Pascal was recently a guest at the so-called Drama Actors Roundtable of the trade magazine . Also at the table were Kieran Culkin (“Succession”), Michael Imperioli (“The White Lotus”), Evan Peters (“Dahmer – Monster”), Jeff Bridges (“The Old Man”) and Damon Idris (“Snowfall”). ) cozy. It was also mentioned at one point that Pedro Pascal himself was not always under the Mandalorian helmet, often lending his voice only afterwards.
Pedro Pascal couldn’t handle it physically
This is actually not news, because in 2019, for example, it was already reported that Pedro Pascal was not on set for the filming of the fourth episode of season 1. What is more interesting is the reason Pascal gave why he appeared in several scenes in season 3 was replaced by a stunt double:
“There was a lot of experimentation, I wore a suit most of the time, but honestly my body just couldn’t handle the challenge for the full four months. But I was in. For a long time. But now we have found a great way that has given me the opportunity to do something else as well.”
So while Pedro Pascal himself wore the warrior’s helmet for quite some time in The Mandalorian, he was also represented again and again by Brendan Wayne and Lateef Crowder, who performed the stunts of the Star Wars hero, for example. The statement that he had time to do something else in the meantime will probably apply primarily to the HBO series.”The last of us(although Pascal doesn’t explicitly state it).
Pedro Pascal had to be present on set here, after all, his Joel cannot be hidden under a helmet. And landing two leading roles in two such complex series, produced largely in parallel (in addition to Pascal’s film roles), would have been difficult without switching to doubles, if only in terms of scheduling.